Hello! Jessica here. Today I am thrilled to share with you a recent quilting project! (You may even remember that I mentioned this quilt in my interview!)
Using the pattern from Joelle Hoverson’s book Last-Minute Patchwork + Quilted Gifts, I made a color-wheel quilt featuring Kona cotton solids from Robert Kaufman.
The original design uses printed cottons to create beautiful color movement with lots of visual texture.
I love the way this looks, but decided I wanted to try it out with solid colors. We carry the Kona cotton line at Nancy’s, offering a decent selection of the 303 colors (!) that Robert Kaufman makes. I planned to make this color-wheel using clear, saturated colors.
Because the color-wheel is comprised of 52 wedges, I set to work choosing all my colors, beginning with some of my favorites hues and filling in where necessary. In the book, Hoverson recommends creating quadrants of 13 colors for ease in planning, which was incredibly helpful. I made a color inventory to keep track of exactly what colors I would use and where I wanted them to sit in the wheel.
I wish I’d taken a photo of my selection process, but I actually started by pulling out and lining up the full bolts of Kona, just to ensure I had the best colors. When I couldn’t find exactly the right transition color in stock, I checked against the Kona color card and made a note of what we should order in for the store.
The color inventory came in very handy when it was time to cut my fabrics and again later when I was assembling my quilt top.
This pattern was very fun and easy to construct. The recommended quilting (straight quilting radiating from the center, using the color wedges as guides) is fairly simple and has an incredible effect. I used washable wool batting for this quilt, which has a gorgeous loft.
In addition to using solid colors rather than prints, I did one other major thing different from the book: where Hoverson calls for white fabric for the background, binding, and backing, I decided to use a very pale solid grey (Kona color Ash). I opted for this pale neutral largely because it reminds me of the Seattle sky, but also because I wanted the transition from ground to color-wheel to be less stark. I couldn’t be happier with the results.
One thing I love about finishing a quilt and taking photographs is that you really get to see how the fabrics play with one another. I absolutely love that the lightest colors in my color-wheel look like they are shimmering.
This color-wheel quilt was super fun from start to finish. I love the versatility in how it can be made up: altering the fabric palette from prints to solids (or doing a mix of both), selecting a narrow color palette (e.g. using a two hue palette rather than a full rainbow), changing out the background color, and much more. I have had a lot of fun looking at the other color-wheel quilts that have been made using this pattern! Here are a few of my favorites:
Thanks for joining me today! Have a question? Let me know in the comments below!