Category Archives: NSB Interviews

Get to know a Nancy’s employee: Izzie

I am very excited to share today’s “get to know” interview. In addition to working in our Ribbon Room every Tuesday, this employee is also a talented Seattle milliner. As she is both an employee and a friend of Nancy’s, this extended interview includes questions we ask of our vendor friends! Please join me in welcoming Izzie.

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Who are you?

I’m Izzie Lewis and I am a milliner. I also work at Nancy’s.

How long have you been acquainted with Nancy’s? How long have you worked at Nancy’s?

I’ve been acquainted with Nancy’s for 20 years or so, through millinery and classes with Candace Kling.

I think I started working at Nancy’s in 2008, so I’ve been with the store for about 8 years.

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Izzie models a gorgeous pink cloche constructed from vintage straw braid, trimmed with a ribbon rose handmade using Candace Kling’s techniques.

How long have you been sewing?

Well, I’ve been sewing for as long as I can remember, but I was in second grade the first time I sewed a garment from a pattern.

What was your first sewing project?

I made a little cotton top with a sailor collar that zipped up the front. It was very cute. It had little puffed sleeves. The fabric was navy blue with white anchors.

Tell me about your business.

I make custom hats and I teach hat making in my studio in West Seattle. I work in straw, felt, and fabric, and find that whatever material I am working with at the time is my favorite. That can make it difficult to change seasons.NSB - IzzieLewis felt hat from scrap

How did you get started in millinery?

I started making hats when I found out that you could actually make hats. It hadn’t really occurred to me before that. I used to wear a lot of vintage hats, so when I found out I could make them myself I started pursuing hat making.

I actually met a hat maker – Wayne Wichern – while shopping at a fabric store in downtown Seattle. I was wearing a hat and he came up to me and said, “I really like your hat. I am a hat maker, if you’d ever like to have a hat made…” and I was like, “What? I can have a hat made?!” I had him make a hat for me and it was through that experience that I started studying with him. Years later, he explained that the day we met, he had just picked up his business cards and he was so excited about it that he came right up to me and gave me a card. He said that he wouldn’t have done that except that he was excited to have business cards.

My background is in architecture, which is still that idea of constructing things. When I began making hats, the architecture firm where I worked – Workshop 3D – had a gallery within the space. My boss asked me to do a millinery show, so I started putting together group shows every spring and fall. These shows became one of the foundations of the millinery community in Seattle.

What is your most recently completed project?

I make garments for myself on occasion. My most recent garment was the sheer overdress/printed cotton underdress for the Nancy’s anniversary sale.

I’m also currently completing a variety of straw hats for a group hat show, which is happening on Saturday, April 2nd. The show, which I am doing as part of the Millinery Artisan Group Northwest, takes place 10am-4pm, at the Phinney Neighborhood Center.

NSB - IzzieLewis parisisal straw vintage roses and veiling

A parisisal straw hat is trimmed with vintage veiling and roses

Do you have a most memorable or favorite project?

I did a fun project in 2015, which started out as a little tweed top hat. I bought a yard of fabric and made the top hat. I had fabric left over, so I thought I’d make another hat. I made a cloche, and there was still fabric remaining, so I made a little cap. Then I just decided to keep on going until I had used every scrap of fabric. I think I ended up with seven or eight hats, the last one being this tiny headpiece on a headband.

It was a fun project that kind of developed on its own, but is in keeping with what I like to do, which is use scraps. One of my signature hats is a felt hat that is made of scraps and pieces left over from other hats.

NSB - IzzieLewis felt cloche made from scrap

Scraps from at least five different hats come together to create this fantastic cloche

Another memorable project was The Great Blocking Marathon. I invited students (former and current) and local hat makers to help block nearly every form that I have in the studio. We worked for 2 days, with a break to sleep and we blocked approximately 50 hats!

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Hat blocks used for The Great Blocking Marathon

What project is next?

This coming Saturday, April 2nd I have the group show at the Phinney Neighborhood Center. I will be there selling spring and summer hats. There will also be a special exhibit as part of the show: we were given a millinery challenge to create an “elemental” hat. The hat I am contributing evokes the element of whimsy. It was created from the scraps of an oddly sized straw cartwheel, which I combined with some vintage trims (editor’s note: “cartwheel” is a name for a large, unblocked piece of straw or felt).

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‘Whimsy’ is perfectly captured by curvilinear form and vintage blossoms

In general, I’m working my way through a lot of the vintage trimmings and do-dads in my studio, attempting to use them all. For most of my hats, the trims are an integral part of the design, not just added on. For this new project, it’s more that I am making these hats and adding these vintage pieces. The challenge is: am I taking these vintage materials and making pieces that look like vintage pieces, or am I taking these vintage materials and creating something that looks new and fresh? I’d love to be able to have my pieces look fresh and modern.

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Vintage irises are the perfect trimming for this sinamay straw hat

What do you love most about Nancy’s?

Well, the Ribbon Room, of course! I love all of the conversations about different design ideas that happen in the store, and how helpful and knowledgeable the staff is. And seeing all the projects that people bring into the shop.

Thanks, Izzie! It is such a delight to see what our very talented staff creates!

If you are interested in contacting Izzie about having a custom hat made, or in taking classes with her, find her on Facebook or her website. And if you are in the Seattle area this coming Saturday, April 2nd, be sure to check out her show at the Phinney Neighborhood Center! More details can be found on the show’s event page here.

All photographs in this post courtesy of Nancy’s Sewing Basket and Izzie Lewis and may not be used without express permission.

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Meet a friend of Nancy’s: Marie Cooley of Fitting Room Corsets

Today, I am excited to introduce you to another friend of Nancy’s! She is a talented seamstress and the proprietor of Seattle’s premiere custom corset shop. Please welcome Marie Cooley.

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Who are you?
I am Marie Cooley of Fitting Room Corsets.

What is your business?
I’m a corset maker, making custom corsets. That means I take your measurements, make a designated pattern for you, and make a corset from fabrics that you select. I do all the work in my Seattle workroom.

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Marie Cooley’s Fitting Room

As a corset maker, I work in fulfilling peoples’ fantasies. It’s amazing. Everybody has a thing like, “I saw Gone with the Wind and I want to wear a pretty Scarlett O’Hara dress…” and then they come to learn that they really like to wear corsets; it feels good to wear them. You feel presented; your posture is better, when you stand up straight, you immediately look better.

I make between 100 and 200 corsets per year.

How did you get started?
I have been a dressmaker since I was 14 and started sewing for money. I was an all-purpose dressmaker for twenty years. My major skill-set is sewing; it’s what I do.

I started doing historical costuming pretty early on and the first thing I learned was that I needed corsets to make the dresses look good. And all corsets really grow out of historical pattern work.NSB-MCFR-renaissance georgian style

After I made a few corsets for myself to wear with costumes, I learned that not everyone likes to make corsets. It’s very exacting, it’s drafting, it’s minutiae, it’s little details and engineering. I’m kind of a frustrated engineer, but I like the engineering part.

So, I started making corsets for other people. And I discovered that it is something I like to do and can charge an appropriate price for the amount of work. And the other advantage to corsets is they are small; they don’t take up a huge amount of material and they don’t take up a lot of space in my workroom.NSB-MCFR-deep plunge

How long have you been acquainted with Nancy’s?
Oh gosh! Since before Nancy’s moved into the building it’s in now. It used to be in a smaller space, which was very dark! [editor’s note: Nancy’s started in the space currently occupied by Caffe Ladro] I remember going into that location just when you were getting ready to move and you were having a big sale.

Nancy’s is my home away from home. It’s a great store and I don’t know what I would ever do without it.

What is your most recently released product or completed project?
I just finished a pretty standard corset. It’s not the most exciting corset I’ve ever made: it’s made from a simple fabric in the under-bust style that reminds me a bit of my mother’s girdles.NSB-MCFR-waistcincher

At a given time, I might have anywhere from one corset to a dozen in process.

Do you have a most memorable or favorite project?
I have made many memorable corsets over the years, from corsets for a pirate reenactor to a corset made for a goth bride. One memorable corset was made for a fantasy-style wedding. This bride had purchased a bolt of three-dimensional fabric, with all this decoration on it. I initially thought it would be impossible for me to work with and for her to wear. For the most part, however, the fabric itself just made a great corset. I did not add anything to the fabric, though I did take a few pieces and judiciously place them where they needed to be.NSB - fitting room corsets fantasy

The bride also made a skirt using the same fabric and she wore the ensemble with fairy wings. It turned out so beautiful and looked great on her.

I’ve also done a few fashion shows. In 2010, I collaborated with Tamara on a fashion collection of Steampunk garments, which showed in the SteamCon II fashion show. We set out to go very far out on a limb, to push the whole Steampunk aesthetic. Though that movement has delved a little bit into the eighteenth century, the overall aesthetic of Steampunk hasn’t changed much. We wanted to show ideas that were fresh and new.

I thought it was a great collection, though it did not seem to resonate as much with the audience as we’d hoped. I loved doing this show; I was very proud of what we did.

NSB-MCFR-CoutuReFormation group

Marie & Tamara and their wild weird west circus

What is next?
In terms of corsets, I am working on something for a cosplay that is a variation on Harley Quinn. This sketch has my scratchy little notes, but you can see the basic shape with the high back and shoulder straps. I was worried it would take a lot of fitting, but when the customer tried it on, it fit just right! It’s going to have alternating black and red panels, with a black & white diamond print in the center front. I’m excited and eager to get this one done!

I also have a grand class in the works! I’ve done one-on-one classes and intensive workshops, but I want to teach the full construction process in a larger setting.


Thanks so much, Marie! It was great to see so much of your work and learn a bit about the world of custom corsets. I am very excited to hear about your grand class; I’ll keep an eye out for more details!

If you have any questions for Marie, please leave them in the comments below! Interested in a corset of your very own? Visit her website to learn more about her work and how to order. And don’t forget to follow her on Facebook!

Photos of corsets, costumes, and the Fitting Room workroom are courtesy of Marie Cooley and may not be used without express permission.

Get to know a Nancy’s employee: Ellen

For our first interview of 2016, I sat down with the employee who oversees our wonderful notions department, ensuring that we can cut out our patterns, pin our pieces together, and sew all the seams! She’s also an active member in our neighborhood and Chair of the Queen Anne Community Council. Please welcome Ellen.

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Who are you?
Ellen Monrad.

How long have you worked at Nancy’s?
I don’t really remember…I started when my son was in fifth or sixth grade, around 1996.

How long have you been sewing?
Since I joined 4-H when I was 10.

Do you have a special focus?
Myself! [laughs]

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An ensemble for Ellen: corduroy top is pattern V8924, printed ponte pant is the Helix pattern from The Sewing Workshop.

I’ve sewn for my daughter-in-law and when my mother was alive, I would sew for her. I don’t really sew for other people. I have a friend that once in a while I will sew a gift for her, but nothing too intricate. Lately, I’ve been making scarves for gifts.

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Embroidered mitten ornaments made as Christmas gifts for friends.

I also knit, which my grandmother taught me when I was about 11, but I didn’t really knit until I was a freshman in college. I had a major in history so I had a lot of reading, and it bored me to just sit and read, so I learned to knit and read at the same time. My first knitting project was a Fair Isle Shetland sweater.

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Ellen’s current knitting project: a cable scarf made from ombré-dyed yarn.

What was your first sewing project?
I made my first sewing project in 4-H: a gathered skirt. It won a blue ribbon at the fair.

What is your most recently completed project?
It’s a top, the Hudson pattern from The Sewing Workshop. I made it in sparkly blue and black stripes, for the holidays.

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Hudson top pattern from The Sewing Workshop.

Do you have a most memorable or favorite project?
No, not really. I don’t go out to fancy affairs, so I’ve never made anything with boning; it’s all basically clothing for me, and my style is very “east coast preppy”.

What project is next?
My current big project is a state of Washington block-of-the-month style quilt that I’m making for my son, who now lives in Amsterdam.

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A previous patchwork project: Ellen made several of these pins featuring a variety of birds

What do you love most about Nancy’s?
I love Nancy’s because it’s a local business, everyone who works here is great, I enjoy the owners, and it’s a great way to sew. It’s inspiring. And, I really like the customers; people who sew are nice. I’ve worked here long enough that I know a lot of people who have come in, and I’ve been able to follow their life stories.

Thanks so much, Ellen!

Have any questions for Ellen? Leave them in the comments below!

Interview with a store department: Flannels, Fleeces, and Minky

Winter is finally here!

Though we are experiencing typical Seattle weather at present (cold and rainy), we have a forecast for snow on Christmas morning. It’s been a while since our last department interview, so we thought it would be fun to chat with the fabrics that keep us warm and cozy during these chilly winter days!

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Who are you?

I am the flannels, fleeces, and minky department.NSB - flannels interview solids and minky

Where do you reside at Nancy’s?

Since the store was rearranged this summer, I primarily reside halfway through the store, on the right. During the cooler months, however, I feature some of my wares along the stairs and main walkway.NSB - flannels interview prints table

Do you have a special focus?

Anything cozy! My fabrics are perfect for making blankets, scarves, pajamas, bathrobes, and more!NSB - flannels interview prints side 1

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What is your most recently received product?

Frankly, the most recently received products have been reorders. Restocking our basics in solid colors and the most popular prints and plaids in our fleeces and flannels.NSB - flannels interview fleeces

Do you have a current favorite product?

I have two favorites at present.

One is the Mammoth and Shetland Flannel lines from Robert Kaufman. Talk about making cozy fabrics even cozier! These are some of the plushest flannels I have ever encountered.NSB - flannels interview mammoth

The Shetland line uses classic weave patterns and colors in updated combinations to create fresh, modern flannels. These are two color yarn-dyes with one hue in the warp and another in the weft. So lovely.NSB - flannels interview shetland flannel

The Mammoth line features different plaids woven from crêpe yarns and the result is marvelous. NSB - flannels interview mammoth flannel

In addition to creating a more plush flannel, the texture of the yarn creates a dappling effect between colors.NSB - flannels interview mammoth detail

The other favorite is the fleeces with Seahawks and Sounders prints! It is really fun to see all the projects people make with these.NSB - flannels interview sports

Any favorite projects you’ve seen made from your wares?

Is it weird to say everything?

One recent fun project is the Laura Ingalls Wilder dress made for the Nancy’s Once Upon a Time raffle using Shetland Flannel.NSB - Once Upon a Time raffle - Little House in the Big Woods

Another sweet project I’ve seen was pajamas made for the whole family. Mom and dad each had their own plaid and the kids got a third plaid that incorporated colors from the parents’ plaids.

Beyond that, I love that my wares are perfect for last minute gift making. Fun gift ideas include flannel pillow cases, fleece infinity scarves, and quick blankets made of minky!NSB - flannels interview minky blanket

Get to know a Nancy’s employee: Susan

Today’s “get to know” interviewee might be best known as the ‘Ribbon Lady’. An accomplished historical costumer, she inspires everyone around her to fall in love with vintage textiles and trims and to appreciate the stories they carry. Please welcome Susan.

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Who are you?
My name is Susan, though I also answer to ‘Ribbon Lady’.

How long have you worked at Nancy’s?
I think it’s been 18 years.

How long have you been sewing?
Since I was a very small child. As a toddler, I started with a yarn needle (my mother would thread it for me) and I would sit and sew for hours. I can hardly remember a time when I didn’t sew.

Do you have a special focus?
Handwork and historical costuming, though to me they are one and the same. I’m interested in basically all costuming eras aside from the 1840s, 1850s, and 1860s. My favorite costumes to create are from the 18th century and Edwardian eras, as both are suited to lots of handwork. Where 18th century styles have fairly simple construction, Edwardian construction is a bit more challenging, which I enjoy.

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The design and color palette for this c.1755 style gown was inspired by the small piece of antique fly fringe at the top of the stomacher.

My costuming process begins with my collection of textiles and trims. It is a slow process; I collect items and create kits of fabric and trims. I use mostly antique and vintage trims, as antique yardage is more difficult to find and more fragile. The starting point for a given costume is usually a single item, like a button or a trim; sometimes it is a tiny piece of 18th century fly fringe, sometimes it is a piece of fabric from the 1920s.

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A black-and-cream checkerboard fabric from the 1920s and vintage cherry motifs inspired this 18th century costume with harlequin details.

What was your first sewing project?
The first true project was sewing doll clothes. I had very well dressed dolls, in many eras of historical costume. Sewing and historical costume go hand-in-hand for me; the clothing of other eras has always been of more interest to me than the clothing I could see on the street.

What is your most recently completed project?
An Edwardian ball gown skirt, made in silk brocade with antique butterflies and antique Art Nouveau trim. The silk brocade is a very deep navy blue, the butterflies are black backed in gold metallic fabric with a slight pleat; it is a moody and mysterious color palette. I’m still working on the bodice that goes with it.

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One of Susan’s completed Edwardian ball gowns, a true 1901 shape. Her recently completed skirt and soon-to-be finished bodice have a similar silhouette.

Do you have a most memorable or favorite project?
The most memorable project would be my daughter’s wedding dress. When I started making it, I believed I had six months to complete it. Then she was awarded an overseas scholarship that had to be used immediately, so the wedding was moved up five months. I completed it in three and a half weeks.

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The bride, Susan’s daughter, and her groom on their wedding day.

It is an 18th century style gown made in a color palette best described as ‘triple cream French vanilla’. The dress is vanilla-colored silk dupioni, with monochromatic embellishment, including embroidery, ribbon embroidery, beading, and dimensional ribbonwork. Most of this dress was made with modern materials, but I did use a gorgeous antique woven tubular silk ribbon. Though the tube is flattened, it still has a lovely dimensionality.

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My favorite project is one of the two things that I made without a deadline: an 18th century ensemble.The skirt was made of cream-colored wool challis, which I embroidered using antique thread. Some of the embroidery – a double wave of pearls winding around the skirt – was inspired by something I saw on an 18th century skirt. The floral motifs were informed by the availability of colors in the antique thread. My mother was a florist and I spent lots of time in her shop when I was young; I used my memories of different flowers to create the motifs, which include lilies of the valley, pansies, forget-me-nots, sweet peas, tiger lilies, anemones, and morning glories. Because I didn’t have a deadline, I was able to spend time experimenting with the flowers. It was lovely.

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Susan in her favorite 18th century ensemble

NSB - gtks favorite 18th c ensemble

To coordinate, I made a Pierrot jacket using an incredible antique 18th century silk fabric in brown with a woven stripe. I trimmed the jacket with white silk organza ruffles, two 18th century metallic trims (one ruffled, the other serpentine), and ribbon and thread buttons from the Victorian era. It wasn’t the most ornate or structurally complex costume I have made, but I felt totally at home in it and it remains a favorite.

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What project is next?
At present, I am preparing for an exhibition of my costumes, which will take place November 11th through 15th at the Glenn Hughes Penthouse Theater at the University of Washington. The show will feature more than 50 costumes, ranging in date from the late 17th century (Cavalier era) through the 1920s.

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In terms of costume, I have several works in progress: an embroidered 1920s coat and the bodice to the Edwardian ball gown skirt, among others. I plan to finish the Edwardian bodice next.

What do you love most about Nancy’s?
The quality of the staff and the quality of the merchandise. And the Ribbon Room, of course! The Ribbon Room and I were made for each other.

Thank you Susan! We are all so excited to see your costumes on display in November. To learn more about Susan’s exhibit, including glimpses into her incredible historical wardrobe, please go to the event website: Art of the Costume.

All photographs in this post courtesy of Nancy’s employee Susan and may not be used without express permission.

Meet a friend of Nancy’s: Janet from Decades of Style

With Halloween around the corner, we are spending a lot of time thinking about costumes. There are so many ways to do costumes, from fanciful and fantastic to historic, and we love them all!

In preparation for this exciting holiday, we decided it would be fun to interview a friend of Nancy’s whose work is great for daily wear and costuming alike! She is a whiz with vintage patterns – and makes it easy for the rest of us to work with them, too.

Without further ado, we present Janet from Decades of Style Pattern Company.NSB - meet Janet headerWho are you?
I’m Janet, from Decades of Style Pattern Company. My official title, according to my business card, is ‘Person’.

What is your business?
We make vintage sewing pattern reproductions for the modern sewer, offering patterns from the 1920s through the 1950s, with a couple styles from the decades before and after.

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We do a lot of the ‘heavy lifting’ associated with sewing from vintage patterns. We translate vintage yardage requirements to work with modern fabric widths. We also grade all our pattern styles to fit nine different sizes (from a 30” bust up to 46”). Decades patterns are also friendlier to work with than actual vintage patterns and they are available in sizes that are reasonable! So many vintage patterns are only available in that mystifying 30” or 32” bust size. I had outgrown that size by the age of 13! We make vintage styles available for the 99% of the population that is larger than a size 0. That’s actually the mission statement of the company.

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Actual vintage patterns from Janet’s collection. Lots of 30″ and 32″ bust sizes.

How did you get started?
I can’t remember a time when I wasn’t interested in antique or vintage clothing. It is a lifelong interest that has turned into a life. Even though I was interested in wearing vintage clothes when I was younger, I didn’t really have any access to purchasing them. Apart from a few 1950s suits that were castoffs from my fancy grandmother’s closet, I didn’t get to wear actual vintage clothing until I left home and could shop in vintage clothing stores. It was a brutal awakening to see that only a tiny fraction of the inventory would fit me.

I realized if I wanted to wear vintage style clothing, I would have to make it myself. Annoyingly enough, most vintage clothing patterns that have survived the last 50-plus years are only available in ridiculously tiny sizes. In order to make those styles for myself, I had to grade the patterns and I knew I could not be the only one who wanted them. Decades of Style is an extension of the grading process.

How long have you been acquainted with Nancy’s?
Nancy’s has carried Decades of Style patterns since 2012. It seems like the pattern line is a very good match for the store.  It’s an honor to be a part of Nancy’s and I’ve really enjoyed getting to know the ladies there.

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Decades of Style patterns on display in Nancy’s.

What is your most recently released product or completed project?
In the summer of 2014, we launched a micro-line of patterns called Decades Everyday. The aesthetic of these patterns lean toward 1960s styling but they still feel modern. The patterns are designed for those who are newer to sewing, though the patterns are great for more skilled sewists who just want a quick make. They are easy to sew and you can pretty much make them in a day. We released our second pattern – the ‘Given a Chance’ dress – in May 2015 and are now working on the next pattern for this line.

NSB - DoS Decades Everyday

Do you have a most memorable or favorite project?
This question is practically impossible to answer! If I must have a favorite pattern, I would say the E.S.P. Dress from Decades Everyday. Even though I totally adore the more elaborate patterns in our catalog, I cannot deny the appeal and relatively instant gratification of whipping up a pretty dress in an afternoon. And really, depending on the fabric you use, the result can be quite sophisticated.

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This E.S.P. was made with a lovely embroidered border linen.

I probably have more E.S.P. dresses in my wardrobe than any other pattern in the catalog, so it must be my favorite! And if I’m being completely honest, I have quite a few pieces of fabric lined up with this pattern in mind.

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Another E.S.P. dress made in a unique fabric! This time, an ikat is fussy cute to meet in the center front and center back of the bodice. Rickrack at the hemline is a particularly charming touch.

I also love this pattern because I think it is an accessible project for a greater number of sewists out there. There are so many people who have only started to sew in the last few years. It is important for us to keep them in mind as much as the more advanced sewers.

What is next?
PDF patterns. Yup; it’s happening. We just decided it was time to join the 21st century on this one so we’ve been developing this project all year. We’ll keep you posted via Instagram and Facebook on when that launches. It should be coming up very soon.

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Thanks so much, Janet! We are very excited about your venture into PDF patterns and can’t wait for the next Decades Everyday pattern!

For more glimpses into the world of vintage pattern making, including completed customer projects and in-progress photos, follow Decades of Style on Facebook and Instagram!

All photographs in this post are courtesy of Decades of Style and may not be used without express permission.

Interview with a store department: the Ribbon Room

Today we get to know a favorite space in the store – the Ribbon Room!

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Who are you?
Hello, I’m the Ribbon Room!

Where do you reside at Nancy’s?
I have a cozy little room in the back right-hand corner of the store. Because I have my own room, some people miss me on their first (or second!) visit to the shop.NSB - RR df satin and petersham

Do you have a special focus?
Yes! I am home to the exquisite ribbons and trims carried at Nancy’s, in addition to millinery supplies like flowers and veiling, specialty buttons, and fun little gifts. For ribbons, there are lots of great basics – like rayon Petersham grosgrain, double-face satin in both silk and polyester, and sheer polyester organdy ribbons – but we also have an incredible selection of vintage ribbons, heirloom laces, and trims.

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The ‘dessert’ case holds some of our most beautiful and expensive ribbons and trims. Many are vintage, some are reproductions, all are truly exquisite.

As Susan, the ‘ribbon lady’, puts it: the Ribbon Room is where we keep the dessert.

What is your most recently received product?
We just got a large shipment of lovely millinery flowers, including some fun little toadstools! We also received a fun selection of vintage flowers.

NSB - RR flowers and toadstools

Do you have a current favorite product?
A few months back we got a huge selection of vintage ribbons, including exquisite taffeta and lustrous satin in a rainbow of interesting colors.

NSB - RR vintage satin and taffeta

Among the vintage options was this fabulous double face ribbon: velvet on one side, satin on the other. It is a silk and cotton blend, with the most luxurious hand. The color, called Hula Brown, is very beautiful, but what makes it interesting is the satin and velvet sides are different hues, like dark and milk chocolate.

NSB - RR hula brown satin velvet

Plus, the packaging on the vintage options is incredibly charming!

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Check out this label!

Any favorite projects you’ve seen made from your wares?
Goodness, this is difficult to answer. Like the woolens department, we have sold so much ribbon, veiling, and trims throughout the years that this answer could be a mile long.

There are a lot of projects that are fun, but not necessarily unique. We work with lots of brides who are looking for ribbons to trim their invitations and programs, to make a veil, or who simply want a colorful sash. We are lucky to carry the embroidered trims, laces, and insertions that go into heirloom sewing, so we get to help people making christening gowns. We also sell ribbon for things as simple as hair-bows and gifts, which are delightful.

NSB - RR striped grosgrain

Beyond that, some highlights do spring to mind: Every time Candace Kling comes to teach a class at Nancy’s, we get to see our wares turn into incredible work: striped grosgrains become cockades, wired ribbon and stamens blossom into flowers, and much more.

NSB - RR stamens and flowers

Working with antique doll collectors and miniaturists is always fun and surprising. It is also incredibly enjoyable to help people find the perfect trimmings for costumes, whether historical, for a local theater production, or for a kid’s Halloween costume!

Thank you, Ribbon Room! It is always fun to see your treasures!

From now until the end of the Nancy’s anniversary sale, the Ribbon Room will be featured for daily specials on Tuesday, Sept 15th (15% off flowers), Wednesday, Sept 16th & Friday, Sept 18th (15% off buttons), and Sunday, Sept 20th (15% off ribbons)!

All pictures in this post copyright of Nancy’s Sewing Basket, LLC. Special thanks to Kam Martin for her photography skills.